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・ Nastro d'Argento for Best Actress
・ Nastro d'Argento for Best Director
・ Nastro d'Argento for Best New Director
・ Nastro d'Argento for Best Producer
・ Nastro d'Argento for Best Score
・ Nastro d'Argento for Best Screenplay
・ Nastro d'Argento for Best Supporting Actor
・ Nastro d'Argento for Best Supporting Actress
・ Nasturtium
・ Nasturtium (genus)
・ Nasturtium (horse)
・ Nasturtium africanum
・ Nasturtium floridanum
・ Nasturtium gambellii
・ Nasturtium microphyllum
Nasturtiums (E. Phillips Fox)
・ Nastus
・ Nastus (weevil)
・ Nastus fausti
・ Nasty
・ Nasty (album)
・ Nasty (Bandit Gang Marco song)
・ Nasty (film)
・ Nasty (Janet Jackson song)
・ Nasty (Nas song)
・ Nasty (Pixie Lott song)
・ Nasty (The Prodigy song)
・ Nasty (The Young Ones)
・ Nasty as I Wanna Be
・ Nasty Baby


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Nasturtiums (E. Phillips Fox) : ウィキペディア英語版
Nasturtiums (E. Phillips Fox)

''Nasturtiums'' is an oil painting by the Australian Impressionist painter Emanuel Phillips Fox painted in 1912 during a period of great creativity for the artist in which he produced some of his finest works.
It shows a woman wearing a printed mauve dress, black hat and black gloves, reading in a garden seated in a cane chair against a background of climbing nasturtium leaves and flowers growing up a trellis.
After being owned by the model's family, the Boyds, since its creation, it was purchased in 2011 at auction by the Society of the Art Gallery of New South Wales as a memorial to Margaret Olley, a Sydney painter and longtime patron of the gallery who had died a few months earlier.〔 The then Director Edmund Capon said that "Olley would have loved this painting as Phillips Fox was one of her favourite artists". and the Curator of Australian Art said its "combination of the poetic and the pragmatic, the decorative and the real", reflected Margaret Olley’s own aesthetic preoccupations".
==Artist==
Emanuel Phillips Fox was an Australian painter, who was living in Paris at the time he produced this and several other paintings that depict the artist's wife and friends in the context of Parisian domesticity during the period known as the Belle Époque. Fox had married the Australian artist Ethel Carrick in 1905 in London in a ceremony attended by Rupert Bunny, another expatriate Australian artist and friend. The couples lived near to one another in Paris, and the friendship between the artists is regarded as having "beneficial influences" on one another's art.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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